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Pleats Please Issey Miyake’s First Milan Pop-Up Is a Sky You Walk On at 10 Corso Como

Curved white pleated wall inside the Pleats Please Issey Miyake pop-up at 10 Corso Como, Milan, with Azure Colors garments on a bowed rail over a blue floor

Valentina Sommariva

At Pleats Please Issey Miyake‘s first pop-up store in Milan, the sky has been turned upside down: the blue is on the floor, the clouds are the furniture, and six shades of the Japanese label’s new series hang along a single curved rail as one continuous gradient. Open at 10 Corso Como until October 11, the temporary space is the first stop of a four-country rollout that will carry Azure Colors to Shanghai, Bangkok and Tokyo. What looks like a playful set is a close translation of how a Pleats Please garment works, since none of it takes its final shape until air and a body move through it.

Storefront of the Pleats Please Issey Miyake pop-up at 10 Corso Como, Milan, with two blue awnings set into an ivy-covered facade
Two open bays instead of a single door, so the blue floor is visible from the street before anyone steps inside

A room of soft volumes replaces the conventional shop fit-out. White quilted panels curve around the walls like oversized cushions, display tables rest on lobed white bases shaped like clouds, a rounded seat sits on the floor like one that drifted loose, and underfoot the ground is a saturated cobalt blue. According to the brand, every Azure Colors venue is meant to offer “a space that feels as if you are floating in the sky.” In Milan, that means looking down into blue and around at white.

White cloud-shaped seating and quilted panel wall inside the Pleats Please Issey Miyake pop-up at 10 Corso Como, Milan
A seat with no legs and no corners, at rest on a blue floor the way a cloud would be at rest on nothing at all

Six blues on one rail carry the collection. Called Pale White, Pale Blue, Azure Blue, Middle Blue, Deep Blue and Navy Blue, the shades are hung in sequence along the curved rail, so the Azure Colors series reads like a sky lightening from one end of the room to the other. The range is compact: two tops, two dresses, two skirts and one pair of trousers, plus a large and a small stole, all available in every shade and designed to be worn alone or layered across the gradient.

Backlit poster for Pleats Please Issey Miyake's Azure Colors series, showing a pleated sweater set against a white cloud graphic on a weathered exterior wall in Milan
The cloud is drawn flat and graphic here, the one moment in the campaign where the installation’s soft volumes turn into a two-dimensional icon

Pleating after sewing is the technique that gives the room its logic. Each Pleats Please piece is sewn first and pleated afterwards, a reversal of the usual order that sets the pleat permanently into the finished garment rather than into the fabric. This approach to garment pleating is what makes the clothes light, easy to wear and machine washable, and why the silhouette only fully exists in motion. The installation borrows the same principle, with surfaces that look inflated rather than built.

Curved rail of Azure Colors garments in six blue gradients above a white cloud-shaped display table at the Pleats Please Issey Miyake pop-up, Milan
Navy anchors one end of the rail and Pale Blue the other, so the sequence of garments doubles as a reading of the sky from night to midday

From a 1988 experiment to a label of its own, the pleat has been the house’s longest-running line of research. Pleat studies first appeared in the ISSEY MIYAKE women’s collection in 1988, and Pleats Please launched as an independent brand for Spring/Summer 1994. The same interest in treating a textile process as the design itself runs through the house’s more recent work, including the 3D-knitted iPhone Pocket developed with Apple.

Cylindrical white column and quilted wall panels dividing the Pleats Please Issey Miyake pop-up at 10 Corso Como, Milan, with blue-to-white gradient garments beyond
A column wrapped soft rather than left bare, so even the room’s structure follows the padded logic of the walls around it

The Corso Como storefront gives little away from the street. Two blue awnings carrying the Pleats Please logo sit within the ivy-covered facade of one of Milan’s most recognizable addresses for fashion, art and design, and through the windows the white padded walls and blue floor read almost like a single colored field. For a brand opening its first pop-up store in Milan, the choice keeps the intervention small on the outside and total on the inside.

White cloud-shaped display table and quilted wall panels with navy pleated garments at the Pleats Please Issey Miyake pop-up, 10 Corso Como, Milan
The darkest end of the gradient sits closest to the entrance, so the room’s blue only lightens the deeper a visitor walks in

A mirror interrupts the curve at one point in the room, paneled into the same white padding as the rest of the wall, easy to miss until it doubles the gradient rail behind it. Where the reflection takes over, six blues start to read as something closer to twelve, and the cobalt floor continues past the point where it should stop.

Close-up of Azure Colors pleated garments in graduated shades of blue hanging from a curved rail at the Pleats Please Issey Miyake pop-up, Milan
Each piece keeps its own width and drape on the hanger, so the gradient is made of six distinct garments rather than one dyed swatch

The paper behind the pleat offers a counterpoint across town. In April, during Milan Design Week, the Via Bagutta flagship hosted The Paper Log: Shell and Core, which turned the compressed paper rolls that protect fabric in the pleating press into furniture and objects. Satoshi Kondo of MIYAKE DESIGN STUDIO said the aim was to create something “for the ease and poetry of everyday life, as Miyake intended” when he founded Pleats Please. That show exhibited what the pleat leaves behind, while Corso Como shows the lightness it produces. Azure Colors is also sold at the Via Bagutta store until October 11.

Folded Azure Colors stoles in six graduated blue tones displayed in a row on a white cloud-shaped table at the Pleats Please Issey Miyake pop-up, Milan
Rolled rather than hung, the six stoles read like paint chips, the gradient reduced to its simplest possible object

Milan goes first in a rollout staged across four countries. After the Corso Como opening on September 10, a pop-up at Shanghai’s West Bund Central opened on September 21, while Central Chidlom in Bangkok and the Pleats Please store in Tokyo’s Aoyama follow on October 1, each with its own sky-inspired retail installation. Milan remains the only European venue, with online sales limited to the ISSEY MIYAKE Europe store, where the series’ dresses are listed at €310 and €450.

White quilted fitting room door, ajar, revealing a Pale Blue pleated dress on a hanger inside the Pleats Please Issey Miyake pop-up, Milan
The only door in the room built to close, and behind it, the palest shade of the whole collection

At the palest end of the rail, the Pale White pieces all but dissolve into the quilted wall behind them. Everywhere else in the room the gradient is easy to follow, blue against white, garment against cloud. Only there, where the lightest pleats meet the softest panels, does it become hard to tell where the clothing stops and the set begins.


Azure Colors Pop-Up by Pleats Please Issey Miyake | Where: 10 Corso Como, Corso Como 10, 20154 Milan, Italy — When: September 10 – October 11, 2026

Image courtesy of Valentina Sommariva

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