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Vincent Leroy’s ‘Molecular Cloud’ Brings a Cosmic, Kinetic Dream to Zaha Hadid’s Seoul Landmark

Vincent Leroy Molecular Cloud kinetic sculpture of pink mirrored spheres reflecting Zaha Hadid Dongdaemun Design Plaza DDP Seoul.

Vcollective – Shirley Xie and Titi Lee

In the heart of Seoul, where the relentless energy of the Dongdaemun district meets the futuristic curves of the Zaha Hadid architecture, a strange and beautiful organism has come to rest. For the 2025 edition of DDP Design & Art, French artist Vincent Leroy has installed his monumental work, Molecular Cloud, transforming the plaza in front of the iconic Dongdaemun Design Plaza into a stage for a hypnotic ballet. The exhibition’s theme of movement finds its most poetic expression in this kinetic sculpture that seems to breathe with a life of its own.

Inspired by the vast, nebulous formations found in deep space, Molecular Cloud is a masterpiece of dreamlike imagination. Composed of numerous large, mirrored spheres tinted in a glossy, ethereal pink, the installation hovers weightlessly. At first, it appears static, a frozen constellation. Then, almost imperceptibly, it begins to stir. The spheres shift and reconfigure in a slow, fluid motion, creating an ever-evolving form that exists in a delicate balance between precise geometry and randomness. This is Vincent Leroy art at its finest: a seamless fusion of engineering and magic.

Vincent Leroy's Molecular Cloud: Kinetic Sculpture at Zaha Hadid's DDP, Seoul
A delicate ballet of glossy pink spheres, Vincent Leroy’s Molecular Cloud hovers and shifts in a slow, mesmerizing rhythm.

The true magic of the work unfolds in its dialogue with its environment. The glossy pink spheres act as a multifaceted eye, capturing and distorting reflections of the Seoul sky, the surrounding cityscape, and the visitors passing beneath it. This play of light and reflection is continuous, but the gentle movement of the sculpture ensures it is never the same twice. The effect is a captivating immersive installationthat dissolves the boundaries between the artwork, the architecture, and the viewer.

Vincent Leroy's Molecular Cloud: Kinetic Sculpture at Zaha Hadid's DDP, Seoul
The installation’s mirrored surfaces create an endless play of light and reflection, capturing and distorting the image of Zaha Hadid’s iconic DDP.

The choice of location is no coincidence. Suspended before the undulating, metallic facade of the DDP museum, Molecular Cloud enters into a profound conversation with Hadid’s architectural marvel. The organic, flowing lines of the building find a kinetic echo in the floating rhythms of Leroy’s sculpture. One structure is static, permanent; the other is ephemeral, breathing. Yet together, their reflective surfaces create an ever-shifting interplay of form and shadow, a duet between the built and the temporary.

Vincent Leroy's Molecular Cloud: Kinetic Sculpture at Zaha Hadid's DDP, Seoul
Suspended against the futuristic architecture, the kinetic sculpture enters into a fluid dialogue between permanent structure and ephemeral art.

“This project was first imagined in Paris, and brought to life for the first time in California for the Coachella Festival in 2023,” Leroy explains. “Now, in Seoul, it’s been reimagined and crafted by a workshop in Guangzhou, guided by a Hong Kong-based production agency. It’s truly a multinational collaboration. I find these cross-cultural exchanges deeply enriching.”

Vincent Leroy's Molecular Cloud: Kinetic Sculpture at Zaha Hadid's DDP, Seoul
Inviting a moment of urban contemplation, the work blurs the lines between reality and illusion with its dreamlike, breathing motion.

More than a visual spectacle, Molecular Cloud offers a contemplative pause in the midst of urban chaos. It compels passersby to slow down, to look up, and to drift into a moment of quiet observation. It is a sensory experience that challenges our perception of reality and illusion. In a world obsessed with speed, Leroy’s work is a powerful reminder that the most profound movements can be soft, slow, and deeply poetic. This is not just a sculpture to be seen, but a phenomenon to be felt.

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