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Panoší Újezd Summer House by Lenka Milerová: exterior view of the renovated pigsty with stone base, rendered walls, and tiled roof among overgrown garden
July 10, 2026

A Ruined Czech Pigsty Becomes Lenka Milerová’s Concrete-and-Steel Summer Retreat

July 10, 2026

Atelierzero’s Container 03 Tests How Long a 20-Foot Compact Home Actually Works

Container 03 by Atelierzero: sage-green kitchen counter against a perforated teal concrete-block wall, with moka pot and glassware
July 9, 2026

Clemens Hoyer Raises a Pink Timber Room on Stilts Over a Munich Bicycle Rack

ZuHaus by Clemens Hoyer, pink timber structure on stilts above a Munich street, partially obscured by roadside greenery
July 9, 2026

Oliviero Baldini Replaces Furniture with Floor-to-Ceiling Metal Units at HLORENZO Los Angeles

HLORENZO Los Angeles flagship by Oliviero Baldini, wide interior view under blue lighting with suspended wire-frame structures and central concrete counter
July 9, 2026

This Arctic Viewpoint Uses Wood Joinery Instead of a Single Metal Fastener

Kola Bay Lighthouse Viewpoint by Timber Architecture Workshop, wide view over the bay, bridge, and hillside vegetation

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Founded in 2009 in Milan, urdesign is a global platform for all architecture and design professionals and enthusiasts. Every day we are dedicated to exploring what’s new in design and are always on the lookout for what’s trending in innovation and creativity. By collaborating with new talents, speaking with industry experts, and examining business insights that will shape the future of architecture, we aim to provide our community with a comprehensive perspective on design in general. We believe that design influences every aspect of our lives, from the spaces we inhabit to the objects we use. That’s why we always try to bring professionals and architecture lovers together so that they can compare and inspire each other. We show you the best there is!

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  • No metal joins this timber tower above Kola Bay — every X-brace is doing the fastener's job instead. Evgeny Makarenko's Timber Architecture Workshop built this observation deck in Murmansk using wood joinery alone, engineered to survive Arctic winters without a single metal connector. The tower tapers toward its top, the one gesture that reads as lighthouse rather than crane, while sunlight through the slatted walls turns the interior staircase into a second, moving pattern. From the upper deck, the view over the bay is the payoff the small structure down the hill was built to earn. architects: Evgeny Makarenko / Timber Architecture Workshop photography: Alexey Arushanyan, Alexey Malenchik, Tatiana Okuneva urdesignmag.com — link in bio #KolaBay #Murmansk #TimberArchitecture #ArcticDesign #WoodJoinery
  • A tree the architects refused to remove now grows straight through the entrance vestibule of @casa.gruta — the first sign that this Valladolid house was designed as a threshold, not a facade. Salvador Román and Adela Mortera cast the entire 254 sqm (2,734 sq ft) structure from pigmented concrete tuned to shift color with the sun, echoing the saturation of the region's limestone cenotes. Inside, a vaulted, hammer-textured concrete ceiling leads from a compressed entry tunnel into a plunge pool and hammock corridor, while a private bedroom courtyard holds its own circular water feature. Brass pendant lighting and a reclaimed wood kitchen island are the only materials the architects allowed to depart from concrete. architects: @chavaroman photography: @fabianml urdesignmag.com — link in bio #CasaGruta #Yucatan #ConcreteArchitecture #MexicanArchitecture #InteriorDesign
  • A staircase railing leans against the direction of its own steps — the single most sculptural move inside Sainto, Mur Mur's @sainto_paris Smash Burger restaurant in Paris. Two shades of the same colored concrete render run from ground floor to first floor, turning a fast-food interior into a study in optical depth instead of branding. Retro American diner references — a long counter, bar stools, a canopy over the bar — get filtered through a minimalist, offbeat logic rather than restaged as pastiche. Red powder-coated tables, stainless steel stools, and a white ceramic mosaic kitchen wall complete the 40 sqm space across two levels. architects: @mur.mur_architectes photography: @yvan_moreau_photographe urdesignmag.com — link in bio #MurMur #Sainto #ParisRestaurant #InteriorDesign #RestaurantDesign
  • A load-bearing concrete wall in Granges-Paccot, Switzerland, couldn't be removed — so Noue Studio built the entire restaurant around it instead. One cutout through the wall does the work of a hallway, a sightline and a room divider at once, while brushed stainless steel and polycarbonate paneling frame the raw concrete without polishing it. Reuse runs through every decision: former steps from the existing structure become stools, and the original tables are recovered and put back into use rather than replaced. architects: @noue.studio photography: @willempab urdesignmag.com — link in bio #NoueStudio #SwissArchitecture #RestaurantDesign #AdaptiveReuse #ConcreteArchitecture
  • A structural column Bardo wasn't allowed to remove became the loudest design decision in the whole apartment. Wrapped in neon acrylic, it now filters light between the living room and bedroom in Macedonia, a Madrid renovation built around the idea of surprise. Every room reads as its own scene: a curved aubergine wall in the dining area, a kitchen where a stone countertop's undulating edge reads almost like topography, and two bathrooms — one dreamlike and saturated, one deliberately calm — that were never meant to feel like a matching pair. architects: @bardo.arq / @emidomingo photography: #germansaiz urdesignmag.com — link in bio #Bardo #MacedoniaApartment #MadridRenovation #InteriorDesign #NeonAcrylic
  • Five real cars, one gallery, and not a single surface left in three dimensions. Joshua Vides hand-painted the Petersen Automotive Museum's Armand Hammer Foundation Gallery into a monochrome mechanic's garage for Flat Out, applying his signature Reality to Idea technique — sharp black outlines on white — to the vehicles and to the room itself. Nine days of continuous painting went into the installation, with no room for correction once a line hit a full-size car. Even the wall text and the "No Parking" sign play along, flattened into the same illustrated language as everything else. artist: @joshuavides images courtesy of @petersenmuseum urdesignmag.com — link in bio #JoshuaVides #FlatOut #PetersenMuseum #RealityToIdea #ArtInstallation

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