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The Findling by Of Possible in Austerlitz, New York, larch-clad cabin raised on a concrete pier above a stone stair in autumn forest

Four Ancient Boulders Lift Of Possible’s Larch Cabin Off a New York Forest Floor

Kéré Architecture Stacks a Timber Kindergarten Five Floors Up and Runs Slides Between Them

Kinderoase an der TUM by Kéré Architecture, five-story timber kindergarten with slatted wood facade lit at dusk between two older Munich buildings

A Refrigerator Door Hides Isern Serra’s Retro-Futuristic Bar in Barcelona

Iterare Arquitectos Turns a Preserved Brick Shell into the Nest for a New House in Valencia’s Torrefiel

Casa Nido by Iterare Arquitectos, corner exterior in Torrefiel with preserved brick base and new white upper volume above ornate stucco cornice

One Pull Makes Dayuan Design’s Suspended Shanghai Glaciers Fold and Distort

Glacier Project by Dayuan Design, nine suspended white membrane and perforated-metal ice forms on steel poles against Shanghai glass towers

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Founded in 2009 in Milan, urdesign is a global platform for all architecture and design professionals and enthusiasts. Every day we are dedicated to exploring what’s new in design and are always on the lookout for what’s trending in innovation and creativity. By collaborating with new talents, speaking with industry experts, and examining business insights that will shape the future of architecture, we aim to provide our community with a comprehensive perspective on design in general. We believe that design influences every aspect of our lives, from the spaces we inhabit to the objects we use. That’s why we always try to bring professionals and architecture lovers together so that they can compare and inspire each other. We show you the best there is!

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  • CALIPER rebuilt a @lamarzocco Marzocco Linea Mini's entire housing in curved, polished stainless steel — no vertical line, no flat top, no surface left where a cup or a spare bag of beans could sit. Built for Heliot Emil's Paris SS27 showroom "Troxler" and unveiled by Joe & The Juice during Paris Men's Fashion Week.  Two machined knobs carry both brand names etched directly into the metal, alongside the numbers 07, 13, 25, 34 — a reference to Heliot Emil's four design pillars.  design: @calip.er 
development: @danielrome.p 
Commissioned by @heliot_emil, @joeandthejuice  urdesignmag.com — link in bio  #CALIPER #LaMarzocco #HeliotEmil #IndustrialDesign #ParisFashionWeek
  • Three materials carry the entire renovation of Elia's Home: terrazzo flooring running throughout, a Verde Guatemala marble portal marking the entrance, and oak paneling defining the private rooms. In-Nova Studio reworked this 280 sqm (3,014 sq ft) apartment inside a 19th-century palazzo in Aversa without adding a fourth.  The restraint is the point — each material appears once, does its job, and gets left alone rather than layered with additional finishes or color.  architects: @in_novastudio
photography: @carlo_oriente  urdesignmag.com — link in bio  #InNovaStudio #InteriorDesign #Aversa #Terrazzo #ItalianRenovation
  • No face. No legs. No head. Just a wheeled base and hands built to match yours.  Genesis AI's Eno skips the humanoid look entirely — proprietary hands with 20 active degrees of freedom, a tower that folds down when idle, and zero effort spent making it look friendly.  design: Daniel Hundt / Genesis AI  urdesignmag.com — link in bio  #GenesisAI #RobotDesign #PhysicalAI #IndustrialDesign #GeneralPurposeRobot
  • Genesis AI's most deliberate decision with Eno, its first general-purpose robot, was refusing to give it a human shape. No face, no legs, no synthetic expression — just a wheeled base topped by a tower of articulated panels that rises to working height and folds down to roughly the size of a checked bag.  At the center of the system are proprietary robotic hands with 20 active, back-drivable degrees of freedom, built to match human grip and range of motion rather than the two-finger grippers common across the industry. "We reduced the form to its essential elements so that every detail serves a purpose," says Daniel Hundt, Genesis AI's Head of Design.  design: Daniel Hundt / Genesis AI
images courtesy of Genesis AI  urdesignmag.com — link in bio  #GenesisAI #RobotDesign #IndustrialDesign #PhysicalAI #GeneralPurposeRobot
  • The black lines across this Bugatti W16 Mistral aren't decoration — they map the car's own invisible digital surface geometry, the NURBS network normally hidden inside the design software. Every line was masked and hand-painted directly onto the finished body, since no clay model existed to guide the process.  Porcelain by KPM punctuates the exterior and interior alike, from the EB emblem to the gear-shifter shells — a material that shrinks by 17 percent when fired, meaning every piece has to be modeled to compensate before it's even made.  Design: @bugatti
Porcelain: @kpmberlin  urdesignmag.com — link in bio  #Bugatti #WMistral #KPM #Porcelain #HypercarDesign
  • A shrinking tile grid — 20cm squares at the entrance, down to 5cm near the counter — pulls customers through Fab Fries Freddy's 35-square-meter footprint in Amsterdam. Ninetynine built the optical trick entirely out of matte ceramic, no digital signage required.  The prep area breaks the sequence with signal red, the visual payoff at the end of a tunnel made of nothing but tile.  Design: @ninetynine_amsterdam — Jeroen Vester, Giulia Cosenza
Photography: @ewouthuibers  urdesignmag.com — link in bio  #Ninetynine #InteriorDesign #Amsterdam #TileDesign #FastFoodDesign

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