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A Former Carpentry Workshop Becomes a Tactile Family Home in the Alt Empordà

A dining area set under a historic brick Catalan vault with a long wooden table and stone walls.

Montse Capdevila

Located in a quiet village within Spain’s Alt Empordà region, La Fusteria sees Clara Crous Arquitectura transform a storied carpentry workshop into a versatile residence that balances the rhythms of family life with the requirements of a contemporary holiday rental.

A dialogue with heritage defines the initial approach to the site. The project’s name—Catalan for “carpentry”—serves as a permanent link to the building’s industrial past, ensuring that the transition from a place of labor to a place of rest does not erase its history. Instead of a radical overhaul, the intervention focuses on a thoughtful adaptation that treats the existing volume as a vessel for collective memory, allowing the layers of time to remain visible through the texture of the walls and the rhythm of the structural bays.

The exterior facade of La Fusteria featuring arched openings and a stone walled courtyard in Alt Empordà.
The restored facade maintains its historic proportions, utilizing lime plaster and a traditional stone-walled entrance.

The structural choreography of the ground floor is dictated by two magnificent Catalan vaults. These sweeping curves, which once sheltered the saws and workbenches of local artisans, now organize the domestic program. By concentrating the daytime living areas beneath these historic elements, the architects have created a spatial gravity that pulls inhabitants toward the center of the home. The kitchen and living areas unfold in a singular, fluid sequence, where the weight of the masonry overhead provides a sense of enclosure and permanence that is rare in modern construction.

A modern kitchen island with woven bar stools located under a vaulted brick ceiling.
The kitchen is defined by a central island that dialogues with the curves of the restored workshop ceiling.

Sensory materiality guides the tactile experience of the interior. The design team stripped away decades of superficial finishes to reveal the honest character of the masonry. By utilizing lime mortars and plasters, the walls are allowed to breathe, creating a regulated microclimate that feels cool to the touch and soft to the eye. The restoration of handmade toba floors and the strategic use of artisanal tiles bridge the gap between the building’s original bones and its new residential purpose, grounding the project in the specific geological and cultural context of the Empordà.

A view through an arched white window looking out toward a small turquoise plunge pool and stone walls.
A new arched window creates a seamless visual connection between the interior living space and the outdoor pool.

The transition between public and private is handled with a sophisticated understanding of village life. The front courtyard has been reclaimed as a vital buffer zone, acting as a threshold that negotiates the privacy of the home with the communal nature of the street. New custom-designed railings and exterior joinery improve the building’s thermal performance and visual clarity, yet they do so with a restrained aesthetic that avoids overshadowing the weathered charm of the original facade.

An outdoor patio with a wooden table, white chairs, and a built-in grill under a burlap canopy.
The outdoor courtyard serves as an extension of the living area, equipped for dining and leisure under the Spanish sun.

Vertical organization ensures that the more intimate aspects of the program remain undisturbed. While the ground floor is an open invitation for gathering, the upper levels are dedicated to private bedrooms and bathrooms. This separation is particularly effective for the project’s dual role as a family annex and a rental property; it provides a sense of sanctuary for guests while maintaining the functional efficiency required for a high-turnover hospitality space.

A minimalist living room with a neutral sofa, wooden coffee table, and an exposed brick arch.
Tactile surfaces and a muted color palette define the lounge area, where a brick archway frames the transition to the stairs.

Atmospheric light plays across the irregular surfaces of the stone and plaster, changing the mood of the rooms as the sun moves across the Spanish sky. The intervention does not rely on flashy gestures but rather on the subtle interplay of shadow and texture. The way light catches the grain of a restored timber beam or the slight variations in a fired clay tile creates a narrative of craft that resonates with the building’s former life as a workshop.

A bedroom with a stone feature wall, vaulted ceiling, and a curved plaster partition.
In the private quarters, original stone walls are illuminated to highlight their natural texture against smooth plaster.

A broader movement toward the reclamation of stone and earth is currently reshaping the landscape of the Iberian Peninsula. Projects like La Fusteria exist in a meaningful conversation with other recent Spanish interventions, such as the subterranean elegance of Casa Balma or the rigorous minimalism of Casa Felipa. These works share a common thread: a refusal to treat history as a museum piece, opting instead to use heritage as a raw material for modern living.

A bathroom with two stone vessel sinks, deep red tiles, and a triptych mirror.
Traditional craftsmanship is reflected in the bathroom through artisanal red tiles and custom stone basins.

The enduring relevance of these spaces lies in their ability to feel both ancient and essential. By prioritizing the “breathability” of the architecture—both literal and metaphorical—Clara Crous Arquitectura has ensured that La Fusteria is not just a renovated building, but a living environment. It stands as a testament to the idea that the most sustainable way to build for the future is to listen closely to the whispers of the past, creating a home that feels as though it has always belonged to the village.

Image courtesy of Montse Capdevila

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