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Sagomastudio Pairs Raw Flayed Walls With Burgundy Marble for Milan’s Bar Rito

Exterior view of Bar Rito in Milan showing two storefront windows with blue awnings and original stone facade.

Piercarlo Quecchia / DSL studio

In Milan’s Porta Venezia district, sagomastudio has executed a radical exercise in material subtraction: Bar Rito is a 50-square-meter volume where Wenghe Bordeaux marble and raw steel engage in a direct dialogue with the visceral, stripped-back layers of the building’s historical envelope.

An archaeological narrative. The intervention at Via Achille Maiocchi 18 does not seek the polished perfection of the new; instead, it pursues the truth of the pre-existing. The studio’s philosophy manifests as a non-hierarchical research process, where the scars of time are treated not as obstacles, but as aesthetic coordinates. The original terrazzo flooring, brought back to light like a rediscovered artifact, merges with contemporary concrete traces, turning the ground plane into a tactile map of spatial memory.

Interior shot of Bar Rito showing stripped white walls, vintage red chairs, and restored terrazzo flooring.
Stripped-back walls and restored terrazzo flooring create a textured backdrop for vintage furniture and floral arrangements.

The skin of the space. The walls have been literally flayed. The removal of superficial finishes reveals a vibrant texture of historic pigments and jagged chisel marks, granting the environment a raw materiality. This approach transforms the perimeter into a sensory experience, where light rakes across the irregularities of the exposed masonry, creating an atmosphere that feels both ancient and intentionally avant-garde.

Close-up of a stainless steel sink and backsplash against a raw, chiseled masonry wall.
Industrial steel elements provide a surgical contrast to the raw, chiseled textures of the original building envelope.

Surgical precision. Within this rugged shell, the functional insertions operate through sharp contrast. The bar counter, a monolithic block clad in Wenghe Bordeaux marble by Marimar, emerges as the primary gravitational element of the project. Behind it, a stainless steel shelving unit acts as a declared technical structure—organizing the rhythm of the room and serving as the industrial backbone of the daily ritual.

Detail of a red custom table with orange-peel texture and a vintage wooden chair against a weathered wall.
Custom-designed tables feature a textured iron base that echoes the deep red tones of the vintage seating.

Domestic dialogues. The furnishings mediate between architectural rigor and human scale. Vintage chairs introduce a familiar, domestic warmth, while the tables—developed in collaboration with designer Giovanni Campitelli—feature an iron structure with a distinctive orange-peel texture. The marble tops mirror the counter, creating a rhythmic repetition that balances visual lightness with the density of natural stone.

Low angle view of custom white linear ceiling lights with opaline diffusers.
Custom linear lighting fixtures integrate into the white ceiling, casting a rhythmic, controlled glow over the space.

Chromatic geometries. A continuous custom bench, finished in a deep red hue, runs along one of the primary walls, acting as a bold graphic stroke that connects the different areas of the venue. Above, the ceiling-mounted lighting follows a regular cadence. These white fixtures, equipped with opaline diffusers, distribute a controlled glow that softens the ruggedness of the walls during the evening hours, ensuring the space remains inviting.

Wide interior shot of a dining corner with two red chairs and a custom table against a two-tone stripped wall.
The interior layout emphasizes spatial subtraction, allowing the layered history of the walls to serve as the primary decoration.

Pure abstraction. The bathroom serves as the only point of total departure from the interior’s heavy materiality: a white cube, neutral and almost clinical. Here, the fittings by Quadro Design and the custom-designed sinks emphasize a formal clarity. This space acts as a necessary sensory palate cleanser, contrasting with the structural complexity of the bar area while maintaining a rigorous coherence in detail.

Macro shot of a Wenghe Bordeaux marble tabletop showing deep wood-like grain and a red iron base.
Wenghe Bordeaux marble tops offer a natural, wood-like grain that adds organic warmth to the industrial iron frames.

Subtraction and spontaneity. Bar Rito is not a mere exercise in style but a calibrated act of balance between design gestures and the spontaneity of the found object. By adding only what is functionally essential, sagomastudio allows the material to speak for itself. The result is a space where architectural memory and a new spatial definition coexist without friction, offering a sophisticated alternative to the visual saturation of contemporary hospitality design.

Interior view of Bar Rito featuring a dog sitting on the terrazzo floor near the Wenghe Bordeaux marble counter.
A domestic dimension is introduced through a mix of high-end materials and the informal, spontaneous life of the district bar.

Milan’s evolving landscape. This project joins a sophisticated circuit of Milanese venues that prioritize analytical depth over decorative trends. For those navigating our curated guide to the city’s design hotspots, Bar Rito represents a new standard of atmospheric precision. It sits comfortably alongside other recent landmarks like the acoustic-driven MoGo Hi-Fi Bar by Giorgia Longoni Studio, the immersive Onda Listening Bar, and the subterranean, brutalist energy of Ganko Feat, forming a definitive map of the city’s most compelling social interiors.

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